SKU: 29034087587
schlafsack für große hunde

schlafsack für große hunde Hundeschlafsack Snorebag Dots Grey

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schlafsack für große hunde Hundeschlafsack Snorebag Dots GreyKuscheln, Trumen, Wohlfhlen: Der Snorebag Hundeschlafsack ist das Kuschelparadies fr deinen Hund Stell dir vor, wie dein Hund nach einem langen Tag voller Abenteuer seinen Kopf zufrieden in einen weichen, warmen Schlafsack kuschelt. Unser kuscheliger Hundeschlafsack aus Plsch Stoff in der Farbe "Dots Grey" ist mehr als nur ein Schlafplatz er ist ein Ort, an dem dein Hund sich geborgen, sicher und rundum wohl fhlt. Fr alle Fellnasen, die es lieben,

Kuscheln, Träumen, Wohlfühlen: Der Snorebag Hundeschlafsack ist das Kuschelparadies für deinen Hund 

Stell dir vor, wie dein Hund nach einem langen Tag voller Abenteuer seinen Kopf zufrieden in einen weichen, warmen Schlafsack kuschelt. Unser kuscheliger Hundeschlafsack aus Plüsch-Stoff in der Farbe "Dots Grey" ist mehr als nur ein Schlafplatz – er ist ein Ort, an dem dein Hund sich geborgen, sicher und rundum wohl fühlt. Für alle Fellnasen, die es lieben, sich einzumummeln und Geborgenheit zu spüren, ist er einfach perfekt.

Ob zu Hause, unterwegs oder beim Camping – dein Hund wird sich in die herrlich weichen Materialien verlieben, die wir mit viel Liebe ausgewählt und verarbeitet haben. Jeder Stich dieses Schlafsacks ist darauf ausgelegt, deinem Hund das Gefühl zu geben: „Hier bin ich zu Hause.“ Weil dein Hund nicht nur dein bester Freund ist, sondern auch dein Herz auf vier Pfoten – und er verdient nur das Beste.

Hauptmerkmale des Snorebags Hundeschlafsacks:

Vielseitig einsetzbar: Egal, wo das nächste Abenteuer euch hinführt – unser Hundeschlafsack ist immer dabei! Ob auf dem gemütliches Bettchen zu Hause, als Rückzugsort auf Reisen oder als wärmendes Kuschelnest unterwegs: Er passt sich euren Bedürfnissen perfekt an. Dein Hund kann sich überall sicher und geborgen fühlen, denn sein Lieblingsplatz ist stets in Reichweite.

Perfekte Passform für jeden Hund: Danke der sechs verschiedenen Größen, kann jeder Hund seinen maßgeschneiderten Schlafplatz finden. Egal ob Welpe oder Senior, unsere Größen garantieren den optimalen Komfort für deinen Liebling. Die angegebene Größe bezieht sich auf das Außenmaß des Schlafsacks. 

✔ Langlebig und Gemütlich: Unser Hundeschlafsack besteht aus extra weichem, kuscheligem Plüschstoff, der sich anfühlt wie eine liebevolle Umarmung. Dein Vierbeiner wird es lieben, sich darin einzumummeln und die Wärme zu genießen. Doch nicht nur die Gemütlichkeit zählt – der Stoff ist auch besonders widerstandsfähig und langlebig, damit dein Hund viele Jahre Freude daran hat, denn Komfort und Qualität gehören einfach zusammen, wenn es um deinen besten tierischen Freund geht. 

Verschiedene Farben: Wähle aus einem breiten Spektrum an Farboptionen, um den Snorebag zu finden, der perfekt zu deinem Stil und dem deines Hundes passt.

Polsterung für Extrakomfort: Die eingenähte Polsterung aus extra weichem 400 g/m² Volumenvließ sorgt dafür, dass dein Hundeschlafsack auch nach langer Zeit noch in der Form stabil bleibt. Zusätzlichen bietet sie Komfort und unterstützt die Gelenke deines Hundes, egal ob er sich zusammenrollt oder ausstreckt, während der umklappbare Rand für zusätzlichen Halt und Sicherheit sorgt.

Waschbar: Wenn es Zeit für eine Reinigung ist, kannst du den Snorebag ganz einfach in der Waschmaschine waschen. Berücksichtige dabei bitte das Fassungsvolumen deiner Waschmaschine (insbesondere beim 100x140 cm Modell).

Trocknergeeignet: All unsere Hundeschlafsäcke sind sogar trocknergeeignet, so dass du deinen Hundeschlafsack nach dem Waschen schnell wieder nutzen kannst.

Gib deinem vierbeinigen Freund das Gefühl von Luxus und Geborgenheit mit dem Hundeschlafsack Snorebag "Dots Grey". Ein geschützter Ort, an dem süße Träume und gemütliche Momente auf deinen Hund warten - perfekt für die kalte Jahreszeit.

 

Zum Größenvergleich: Hundemodel Lucky (Podenco-Mix) hat eine Schulterhöhe von 45 cm, wiegt ca. 15 kg und liegt im Snorebag 70x100 cm.

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SKU: 29034087587

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4.6 ★★★★★
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Product Reviews
J
Verified Purchase
JR
Carnegie, US
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation. I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation. For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following: ABA webinar available with an internet search for "Storytelling for Lawyers"
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Reviewed in the United States on July 25, 2018
T
Verified Purchase
Tahoeman
Port Orchard, US
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
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Reviewed in the United States on February 10, 2014
D
Verified Purchase
David R. Papke
Waukegan, US
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
D
Verified Purchase
DoubtfulReader
Draper, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
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Verified Purchase
Matt M.
Phoenix, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021

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